The Key of B, Flamenco Guitar

B major harmonises to B – C#m – D#m – E – F# – G#m – A#°; B natural minor to Bm – C#° – D – Em – F#m – G – A.

Only part of flamenco lives in these two tables. The palos in the major mode, the alegrías among them, draw on the first; soleá, seguiriya and most bulerías sit in the flamenco mode, which neither table spells, and the compás pages realise each palo's own cadence in any key.

The guitar is the toque: the toque: it states the compás, marks the accents with the strumming hand, and closes each cycle on the chord the palo comes home to. A grip below is held for a run of counts rather than a bar — the strumming hand sounds it harder on the accented counts and lighter between them, so one shape can carry most of a cycle.